Requiem Tarnished Heir, The Family of Willem.
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ㅤ ⚸🃁.. With every act of defiance,
ㅤㅤㅤㅤ “KINDLE THE FIRE OF
ㅤㅤㅤㅤㅤㅤRESISTANCE!”

OBSIDIAN: (96.6) ━━━╉ @ArchiveWilems Refusing to submit to the forces that seek to oppress and control @WillemRobot and @TheWillemsBot (For mutual only).
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.. ⟆  ━━━   🎞EARTH, WOVEN SIMULTANEOUSLY, MIRRORED EBB AND FLOW OF OCEAN’S TIDES 𖣦  ٠ ٠  Willems, De Smeltkroes van Pioniers ᎓ Chrysanthemum Rise of Lineage. ⊰
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Burdening with sense of shared consciousness and a lengthy return to origins. Concurrently, from the period of Dutch governance persisted, displaying varied facets of their existence. Such as reliability and the complex of their characters. This was not dimmed by skeptical attitudes towards European convictions and the conventional practices of indigenous population, nor by the conflicted feelings. Despite these challenges, remained resolute in quest to rediscover heritage. Immersed self in literature, archives, and oral histories, seeking to understand forebears’ impact of colonial dominaton their lives. Discover concealed virtues, resilience, and courage that had been passed through generations and felt a renewed sense of pride and belonging. Revealed this family’s concealed past, became a living embodiment of ancestors’ narrative, struggles, and triumphs. Piece of the ongoing saga family’s voyage, The Willems.
   
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︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎
︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎Ephemeral of Humanity.
ㅤㅤㅤㅤㅤㅤ[...]ㅤ/   ‘88:
︎ ︎ ︎ ︎ Unravels Endowment.


Serendipity's: By the depths such luminescence, perpetually lingering throughout the beauteous ambience of Earth itself, the tranquility that lurking by such each passing moments, by the indescribable sentiments that continue to gnaw on people's lives. Nevertheless, humans always pondering nor yearning immeasurable wealth that constantly being seeks out by countless soul—whenever phrases continue to write immeasurable narrative of people's concealed desires, we eventually embarking on this particular occasion itself, darkness nor luminosity of human's hearts—the enigmatic depiction of lifetime achievements; Herman Mellema yang senantiasa menyergap sesuatu dengan sifat dan tutur katanya yang tulus, tak pernah disangka, nasi sudah terlanjur menjadi bubur. Tak lagi menjadi yang disenangi melainkan disegani; Frederick Willem.


︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎1:11. ︎ ︎| Dawn’s Odes.
ㅤㅤㅤㅤ  ㅤ ㅤ────────────────
︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎Luminescent of the Eventides
َ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎Sincerely, @TheWillems’s. ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎
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Seorang legenda ia,
nama yang terbisik lirih,
Suara yang menyentuh hati,
kemanapun ia pergi.


— Willem's Herman; Frederick Boulevard Willem.
   
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︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎
︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎Ephemeral of Humanity.
ㅤㅤㅤㅤㅤㅤ[...]ㅤ/   ‘88:
︎ ︎ ︎ ︎ Unravels Endowment.


Serendipity's: By the depths such luminescence, perpetually lingering throughout the beauteous ambience of Earth itself, the tranquility that lurking by such each passing moments, by the indescribable sentiments that continue to gnaw on people's lives. Nevertheless, humans always pondering nor yearning immeasurable wealth that constantly being seeks out by countless soul—whenever phrases continue to write immeasurable narrative of people's concealed desires, we eventually embarking on this particular occasion itself, darkness nor luminosity of human's hearts—the enigmatic depiction of lifetime achievements; Di berkati dengan segala kecerdasan, keberanian, dan kekuatan yang penuh kasih mampu membuat jiwa tangguh tertanam dalam jiwanya, Nyai Ontosoroh menjadi simbol perjuangan hak-hak keadilan dan memberantas norma-norma ketidakadilan dengan rasa kemanusiaan yang ia junjung setinggi langit; Charity Willem.


︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎1:11. ︎ ︎| Dawn’s Odes.
ㅤㅤㅤㅤ  ㅤ ㅤ────────────────
︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎Luminescent of the Eventides
َ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎Sincerely, @TheWillems’s. ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎
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Di balik tirai sejarah, Nyai Ontosoroh berdiri, 
Perempuan tangguh, melawan arus, takkan berhenti. 
Dengan cinta dan keberanian, ia menantang norma, 
Dalam setiap langkahnya, jiwa merdeka bersinar terang.


— Willem's Nyai Ontosoroh; Charity Drayton Willem.
   
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︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎
︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎Ephemeral of Humanity.
ㅤㅤㅤㅤㅤㅤ[...]ㅤ/   ‘88:
︎ ︎ ︎ ︎ Unravels Endowment.


Serendipity's: By the depths such luminescence, perpetually lingering throughout the beauteous ambience of Earth itself, the tranquility that lurking by such each passing moments, by the indescribable sentiments that continue to gnaw on people's lives. Nevertheless, humans always pondering nor yearning immeasurable wealth that constantly being seeks out by countless soul—whenever phrases continue to write immeasurable narrative of people's concealed desires, we eventually embarking on this particular occasion itself, darkness nor luminosity of human's hearts—the enigmatic depiction of lifetime achievements; Imajinasi yang begitu luas dan dalam mampu mempengaruhi sosok nya menjadi seorang seniman handal yang penuh dengan estetika. Tirai merah tua di atas panggung teater pertunjukan telah dibuka, sosok Jean Marais mulai menunjukkan karisma nya; Asgard Willem.


︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎1:11. ︎ ︎| Dawn’s Odes.
ㅤㅤㅤㅤ  ㅤ ㅤ────────────────
︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎Luminescent of the Eventides
َ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎Sincerely, @TheWillems’s. ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎
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Sang Pionir, bintang yang bersinar.
Dalam Pertunjukan, kau takkan pudar. 
Mitos dan keajaiban dalam setiap peran.
Warisan abadi, menginspirasi zaman.


— Willem's Jean Marais; Asgard Dwight Willem.
   
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︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎
︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎Ephemeral of Humanity.
ㅤㅤㅤㅤㅤㅤ[...]ㅤ/   ‘88:
︎ ︎ ︎ ︎ Unravels Endowment.


Serendipity's: By the depths such luminescence, perpetually lingering throughout the beauteous ambience of Earth itself, the tranquility that lurking by such each passing moments, by the indescribable sentiments that continue to gnaw on people's lives. Nevertheless, humans always pondering nor yearning immeasurable wealth that constantly being seeks out by countless soul—whenever phrases continue to write immeasurable narrative of people's concealed desires, we eventually embarking on this particular occasion itself, darkness nor luminosity of human's hearts—the enigmatic depiction of lifetime achievements; Rintik hujan memilu pada malam tak diundang, segala cara Minke doakan untuk menerima Adinda disebrang sana. Meski kegelapan menguasai santunnya bunyi gendang malam, Philogynik selalu memandang Adinda dibantal ranjangnya. Bukalah mata temui sesosok pilu pria jangkung; Joello Willem.


︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎1:11. ︎ ︎| Dawn’s Odes.
ㅤㅤㅤㅤ  ㅤ ㅤ────────────────
︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎Luminescent of the Eventides
َ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎Sincerely, @TheWillems’s. ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎
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Meski senjakala sudah berada dipelipis,
Mulai terasa hangatnya tak cukup menepis,
Se-elok sangkar usang menjadi bisu,
Betapa dunia rapuh jika tak ada kamu.


— Willem's Minke; Joello Chirad Willem.
   
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︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎
︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎Ephemeral of Humanity.
ㅤㅤㅤㅤㅤㅤ[...]ㅤ/   ‘88:
︎ ︎ ︎ ︎ Unravels Endowment.


Serendipity's: By the depths such luminescence, perpetually lingering throughout the beauteous ambience of Earth itself, the tranquility that lurking by such each passing moments, by the indescribable sentiments that continue to gnaw on people's lives. Nevertheless, humans always pondering nor yearning immeasurable wealth that constantly being seeks out by countless soul—whenever phrases continue to write immeasurable narrative of people's concealed desires, we eventually embarking on this particular occasion itself, darkness nor luminosity of human's hearts—the enigmatic depiction of lifetime achievements; Robert Suurhorf, sosok yang terlahir di bawah langit kolonial, dengan jiwa yang terperangkap dalam kemewahan dan angkuh. Pemuda Belanda, bagaikan bulan yang bersinar terang. Namun, di balik sinarnya, bayang-bayang kesombongan mengintai; Hadasa Willem.


︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎1:11. ︎ ︎| Dawn’s Odes.
ㅤㅤㅤㅤ  ㅤ ㅤ────────────────
︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎Luminescent of the Eventides
َ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎Sincerely, @TheWillems’s. ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎
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