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๐น โฆ / THE DRAWERS, HEAVY WITH ROTE, SEAL THEMSELVES SHUT.
Solitaire motes hang in the slant of February 25th Caught between the breath of porch curtains and the quiet decay of yesterdayโs date on the wall calendar. Time doesnโt pass here; it settles. ๐๐ข๐ฏ๐ฅ๐ฆ๐ฅ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ต๐ข๐ฃ๐ญ๐ฆโ๐ฐ๐ฉ, ๐ต๐ฉ๐ข๐ต ๐ต๐ข๐ฃ๐ญ๐ฆ, ๐ช๐ต๐ด ๐จ๐ณ๐ข๐ช๐ฏ ๐ฃ๐ถ๐ง๐ง๐ฆ๐ฅ ๐ต๐ฐ ๐ข ๐ด๐ช๐ญ๐ฆ๐ฏ๐ต ๐จ๐ญ๐ฆ๐ข๐ฎ. Napolitan tray rests: swirls of strawberry cream bleeding into vanilla reveries and dark chocolate confessions.
This room? Painted in more than pigment. Itโs stained with pauses. And not just a day, but an artifact. Itโs edged with intentionality: six zines folded like origami prayers slipped through mailslots of blade hearts; @TheWalst @MlNDWAVE aimed not at eyes but ribs. The slow burn: afterglow as methodology. They will return to this date again. Not because they must. But because something ๐ฉ๐ฆ๐ณ๐ฆ refuses extinction. It pulses still โฆ in subtext, in margins, in ink that smudges like pine.
๐๐ฐ๐ป๐ช๐ญ๐บ ๐ฎ๐ถ๐ณ๐ฎ๐ถ๐ณ๐ฆ๐ฅ,
๐๐บ ๐๐ข๐ช๐ฏ๐ต๐ซ๐ฆ, @TheCaintje ๐
(๐๐ข๐ฏ๐ฅ-๐ด๐ช๐จ๐ฏ๐ฆ๐ฅ ๐ช๐ฏ ๐ช๐ฏ๐ฌ ๐ต๐ฉ๐ข๐ต ๐ฅ๐ณ๐ช๐ฆ๐ด ๐ด๐ญ๐ฐ๐ธ.)
Solitaire motes hang in the slant of February 25th Caught between the breath of porch curtains and the quiet decay of yesterdayโs date on the wall calendar. Time doesnโt pass here; it settles. ๐๐ข๐ฏ๐ฅ๐ฆ๐ฅ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ต๐ข๐ฃ๐ญ๐ฆโ๐ฐ๐ฉ, ๐ต๐ฉ๐ข๐ต ๐ต๐ข๐ฃ๐ญ๐ฆ, ๐ช๐ต๐ด ๐จ๐ณ๐ข๐ช๐ฏ ๐ฃ๐ถ๐ง๐ง๐ฆ๐ฅ ๐ต๐ฐ ๐ข ๐ด๐ช๐ญ๐ฆ๐ฏ๐ต ๐จ๐ญ๐ฆ๐ข๐ฎ. Napolitan tray rests: swirls of strawberry cream bleeding into vanilla reveries and dark chocolate confessions.
This room? Painted in more than pigment. Itโs stained with pauses. And not just a day, but an artifact. Itโs edged with intentionality: six zines folded like origami prayers slipped through mailslots of blade hearts; @TheWalst @MlNDWAVE aimed not at eyes but ribs. The slow burn: afterglow as methodology. They will return to this date again. Not because they must. But because something ๐ฉ๐ฆ๐ณ๐ฆ refuses extinction. It pulses still โฆ in subtext, in margins, in ink that smudges like pine.
๐๐ฐ๐ป๐ช๐ญ๐บ ๐ฎ๐ถ๐ณ๐ฎ๐ถ๐ณ๐ฆ๐ฅ,
๐๐บ ๐๐ข๐ช๐ฏ๐ต๐ซ๐ฆ, @TheCaintje ๐
(๐๐ข๐ฏ๐ฅ-๐ด๐ช๐จ๐ฏ๐ฆ๐ฅ ๐ช๐ฏ ๐ช๐ฏ๐ฌ ๐ต๐ฉ๐ข๐ต ๐ฅ๐ณ๐ช๐ฆ๐ด ๐ด๐ญ๐ฐ๐ธ.)
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๐น โฆ / THE DRAWERS, HEAVY WITH ROTE, SEAL THEMSELVES SHUT.
Solitaire motes hang in the slant of February 26th. Caught between the breath of porch curtains and the quiet decay of yesterdayโs date on the wall calendar. Time doesnโt pass here; it settles. ๐๐ข๐ฏ๐ฅ๐ฆ๐ฅ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ต๐ข๐ฃ๐ญ๐ฆโ๐ฐ๐ฉ, ๐ต๐ฉ๐ข๐ต ๐ต๐ข๐ฃ๐ญ๐ฆ, ๐ช๐ต๐ด ๐จ๐ณ๐ข๐ช๐ฏ ๐ฃ๐ถ๐ง๐ง๐ฆ๐ฅ ๐ต๐ฐ ๐ข ๐ด๐ช๐ญ๐ฆ๐ฏ๐ต ๐จ๐ญ๐ฆ๐ข๐ฎ. Napolitan tray rests: swirls of strawberry cream bleeding into vanilla reveries and dark chocolate confessions.
This room? Painted in more than pigment. Itโs stained with pauses. And not just a day, but an artifact. Itโs edged with intentionality: six zines folded like origami prayers slipped through mailslots of blade hearts; @HouseofMajerle, aimed not at eyes but ribs. The slow burn: afterglow as methodology. They will return to this date again. Not because they must. But because something ๐ฉ๐ฆ๐ณ๐ฆ refuses extinction. It pulses still โฆ in subtext, in margins, in ink that smudges like pine.
๐๐ฐ๐ป๐ช๐ญ๐บ ๐ฎ๐ถ๐ณ๐ฎ๐ถ๐ณ๐ฆ๐ฅ,
๐๐บ ๐๐ข๐ช๐ฏ๐ต๐ซ๐ฆ, @TheCaintje ๐
(๐๐ข๐ฏ๐ฅ-๐ด๐ช๐จ๐ฏ๐ฆ๐ฅ ๐ช๐ฏ ๐ช๐ฏ๐ฌ ๐ต๐ฉ๐ข๐ต ๐ฅ๐ณ๐ช๐ฆ๐ด ๐ด๐ญ๐ฐ๐ธ.)
Solitaire motes hang in the slant of February 26th. Caught between the breath of porch curtains and the quiet decay of yesterdayโs date on the wall calendar. Time doesnโt pass here; it settles. ๐๐ข๐ฏ๐ฅ๐ฆ๐ฅ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ต๐ข๐ฃ๐ญ๐ฆโ๐ฐ๐ฉ, ๐ต๐ฉ๐ข๐ต ๐ต๐ข๐ฃ๐ญ๐ฆ, ๐ช๐ต๐ด ๐จ๐ณ๐ข๐ช๐ฏ ๐ฃ๐ถ๐ง๐ง๐ฆ๐ฅ ๐ต๐ฐ ๐ข ๐ด๐ช๐ญ๐ฆ๐ฏ๐ต ๐จ๐ญ๐ฆ๐ข๐ฎ. Napolitan tray rests: swirls of strawberry cream bleeding into vanilla reveries and dark chocolate confessions.
This room? Painted in more than pigment. Itโs stained with pauses. And not just a day, but an artifact. Itโs edged with intentionality: six zines folded like origami prayers slipped through mailslots of blade hearts; @HouseofMajerle, aimed not at eyes but ribs. The slow burn: afterglow as methodology. They will return to this date again. Not because they must. But because something ๐ฉ๐ฆ๐ณ๐ฆ refuses extinction. It pulses still โฆ in subtext, in margins, in ink that smudges like pine.
๐๐ฐ๐ป๐ช๐ญ๐บ ๐ฎ๐ถ๐ณ๐ฎ๐ถ๐ณ๐ฆ๐ฅ,
๐๐บ ๐๐ข๐ช๐ฏ๐ต๐ซ๐ฆ, @TheCaintje ๐
(๐๐ข๐ฏ๐ฅ-๐ด๐ช๐จ๐ฏ๐ฆ๐ฅ ๐ช๐ฏ ๐ช๐ฏ๐ฌ ๐ต๐ฉ๐ข๐ต ๐ฅ๐ณ๐ช๐ฆ๐ด ๐ด๐ญ๐ฐ๐ธ.)
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๐น โฆ / THE DRAWERS, HEAVY WITH ROTE, SEAL THEMSELVES SHUT.
Solitaire motes hang in the slant of February 27th. Caught between the breath of porch curtains and the quiet decay of yesterdayโs date on the wall calendar. Time doesnโt pass here; it settles. ๐๐ข๐ฏ๐ฅ๐ฆ๐ฅ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ต๐ข๐ฃ๐ญ๐ฆโ๐ฐ๐ฉ, ๐ต๐ฉ๐ข๐ต ๐ต๐ข๐ฃ๐ญ๐ฆ, ๐ช๐ต๐ด ๐จ๐ณ๐ข๐ช๐ฏ ๐ฃ๐ถ๐ง๐ง๐ฆ๐ฅ ๐ต๐ฐ ๐ข ๐ด๐ช๐ญ๐ฆ๐ฏ๐ต ๐จ๐ญ๐ฆ๐ข๐ฎ. Napolitan tray rests: swirls of strawberry cream bleeding into vanilla reveries and dark chocolate confessions.
This room? Painted in more than pigment. Itโs stained with pauses. And not just a day, but an artifact. Itโs edged with intentionality: six zines folded like origami prayers slipped through mailslots of blade hearts; @calsearth, @KinofGreesacht, @TheGritner, @Hoonarchy, @NoiMerfyn aimed not at eyes but ribs. The slow burn: afterglow as methodology. They will return to this date again. Not because they must. But because something ๐ฉ๐ฆ๐ณ๐ฆ refuses extinction. It pulses still โฆ in subtext, in margins, in ink that smudges like pine.
๐๐ฐ๐ป๐ช๐ญ๐บ ๐ฎ๐ถ๐ณ๐ฎ๐ถ๐ณ๐ฆ๐ฅ,
๐๐บ ๐๐ข๐ช๐ฏ๐ต๐ซ๐ฆ, @TheCaintje ๐
(๐๐ข๐ฏ๐ฅ-๐ด๐ช๐จ๐ฏ๐ฆ๐ฅ ๐ช๐ฏ ๐ช๐ฏ๐ฌ ๐ต๐ฉ๐ข๐ต ๐ฅ๐ณ๐ช๐ฆ๐ด ๐ด๐ญ๐ฐ๐ธ.)
Solitaire motes hang in the slant of February 27th. Caught between the breath of porch curtains and the quiet decay of yesterdayโs date on the wall calendar. Time doesnโt pass here; it settles. ๐๐ข๐ฏ๐ฅ๐ฆ๐ฅ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ต๐ข๐ฃ๐ญ๐ฆโ๐ฐ๐ฉ, ๐ต๐ฉ๐ข๐ต ๐ต๐ข๐ฃ๐ญ๐ฆ, ๐ช๐ต๐ด ๐จ๐ณ๐ข๐ช๐ฏ ๐ฃ๐ถ๐ง๐ง๐ฆ๐ฅ ๐ต๐ฐ ๐ข ๐ด๐ช๐ญ๐ฆ๐ฏ๐ต ๐จ๐ญ๐ฆ๐ข๐ฎ. Napolitan tray rests: swirls of strawberry cream bleeding into vanilla reveries and dark chocolate confessions.
This room? Painted in more than pigment. Itโs stained with pauses. And not just a day, but an artifact. Itโs edged with intentionality: six zines folded like origami prayers slipped through mailslots of blade hearts; @calsearth, @KinofGreesacht, @TheGritner, @Hoonarchy, @NoiMerfyn aimed not at eyes but ribs. The slow burn: afterglow as methodology. They will return to this date again. Not because they must. But because something ๐ฉ๐ฆ๐ณ๐ฆ refuses extinction. It pulses still โฆ in subtext, in margins, in ink that smudges like pine.
๐๐ฐ๐ป๐ช๐ญ๐บ ๐ฎ๐ถ๐ณ๐ฎ๐ถ๐ณ๐ฆ๐ฅ,
๐๐บ ๐๐ข๐ช๐ฏ๐ต๐ซ๐ฆ, @TheCaintje ๐
(๐๐ข๐ฏ๐ฅ-๐ด๐ช๐จ๐ฏ๐ฆ๐ฅ ๐ช๐ฏ ๐ช๐ฏ๐ฌ ๐ต๐ฉ๐ข๐ต ๐ฅ๐ณ๐ช๐ฆ๐ด ๐ด๐ญ๐ฐ๐ธ.)
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๐น โฆ / THE DRAWERS, HEAVY WITH ROTE, SEAL THEMSELVES SHUT.
Solitaire motes hang in the slant of February 28th. Caught between the breath of porch curtains and the quiet decay of yesterdayโs date on the wall calendar. Time doesnโt pass here; it settles. ๐๐ข๐ฏ๐ฅ๐ฆ๐ฅ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ต๐ข๐ฃ๐ญ๐ฆโ๐ฐ๐ฉ, ๐ต๐ฉ๐ข๐ต ๐ต๐ข๐ฃ๐ญ๐ฆ, ๐ช๐ต๐ด ๐จ๐ณ๐ข๐ช๐ฏ ๐ฃ๐ถ๐ง๐ง๐ฆ๐ฅ ๐ต๐ฐ ๐ข ๐ด๐ช๐ญ๐ฆ๐ฏ๐ต ๐จ๐ญ๐ฆ๐ข๐ฎ. Napolitan tray rests: swirls of strawberry cream bleeding into vanilla reveries and dark chocolate confessions.
This room? Painted in more than pigment. Itโs stained with pauses. And not just a day, but an artifact. Itโs edged with intentionality: six zines folded like origami prayers slipped through mailslots of blade hearts; @TheSveic, @MaisonDeMonroe and @ElderOfBrume aimed not at eyes but ribs. The slow burn: afterglow as methodology. They will return to this date again. Not because they must. But because something ๐ฉ๐ฆ๐ณ๐ฆ refuses extinction. It pulses still โฆ in subtext, in margins, in ink that smudges like pine.
๐๐ฐ๐ป๐ช๐ญ๐บ ๐ฎ๐ถ๐ณ๐ฎ๐ถ๐ณ๐ฆ๐ฅ,
๐๐บ ๐๐ข๐ช๐ฏ๐ต๐ซ๐ฆ, @TheCaintje ๐
(๐๐ข๐ฏ๐ฅ-๐ด๐ช๐จ๐ฏ๐ฆ๐ฅ ๐ช๐ฏ ๐ช๐ฏ๐ฌ.)
Solitaire motes hang in the slant of February 28th. Caught between the breath of porch curtains and the quiet decay of yesterdayโs date on the wall calendar. Time doesnโt pass here; it settles. ๐๐ข๐ฏ๐ฅ๐ฆ๐ฅ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ต๐ข๐ฃ๐ญ๐ฆโ๐ฐ๐ฉ, ๐ต๐ฉ๐ข๐ต ๐ต๐ข๐ฃ๐ญ๐ฆ, ๐ช๐ต๐ด ๐จ๐ณ๐ข๐ช๐ฏ ๐ฃ๐ถ๐ง๐ง๐ฆ๐ฅ ๐ต๐ฐ ๐ข ๐ด๐ช๐ญ๐ฆ๐ฏ๐ต ๐จ๐ญ๐ฆ๐ข๐ฎ. Napolitan tray rests: swirls of strawberry cream bleeding into vanilla reveries and dark chocolate confessions.
This room? Painted in more than pigment. Itโs stained with pauses. And not just a day, but an artifact. Itโs edged with intentionality: six zines folded like origami prayers slipped through mailslots of blade hearts; @TheSveic, @MaisonDeMonroe and @ElderOfBrume aimed not at eyes but ribs. The slow burn: afterglow as methodology. They will return to this date again. Not because they must. But because something ๐ฉ๐ฆ๐ณ๐ฆ refuses extinction. It pulses still โฆ in subtext, in margins, in ink that smudges like pine.
๐๐ฐ๐ป๐ช๐ญ๐บ ๐ฎ๐ถ๐ณ๐ฎ๐ถ๐ณ๐ฆ๐ฅ,
๐๐บ ๐๐ข๐ช๐ฏ๐ต๐ซ๐ฆ, @TheCaintje ๐
(๐๐ข๐ฏ๐ฅ-๐ด๐ช๐จ๐ฏ๐ฆ๐ฅ ๐ช๐ฏ ๐ช๐ฏ๐ฌ.)
โค3
Forwarded from RISE & REALIZE: RIIZE #2Wishes4Wonbin.
Rejuvenated Dreamscape, Vacate
Devotion amidst 2nd of March.
Unfolding the murmuring conundrums, suffocated orchids within the realm of the dreadful house. Nearly frightening, frankly afore the shrieking lament. Drains the fletcher, permitting the agony to flee further into the teeming haze whereas each soul seeks after clemency, sensing the epitome of a blazing shudder throughout the swanโs flesh and spine. Therefore, shall the eternal solitude surround the vacant moreover pouring lake.
Devotion amidst 2nd of March.
Unfolding the murmuring conundrums, suffocated orchids within the realm of the dreadful house. Nearly frightening, frankly afore the shrieking lament. Drains the fletcher, permitting the agony to flee further into the teeming haze whereas each soul seeks after clemency, sensing the epitome of a blazing shudder throughout the swanโs flesh and spine. Therefore, shall the eternal solitude surround the vacant moreover pouring lake.
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๐น โฆ / THE DRAWERS, HEAVY WITH ROTE, SEAL THEMSELVES SHUT.
Solitaire motes hang in the slant of (March 1st). Caught between the breath of porch curtains and the quiet decay of yesterdayโs date on the wall calendar. Time doesnโt pass here; it settles. ๐๐ข๐ฏ๐ฅ๐ฆ๐ฅ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ต๐ข๐ฃ๐ญ๐ฆโ๐ฐ๐ฉ, ๐ต๐ฉ๐ข๐ต ๐ต๐ข๐ฃ๐ญ๐ฆ, ๐ช๐ต๐ด ๐จ๐ณ๐ข๐ช๐ฏ ๐ฃ๐ถ๐ง๐ง๐ฆ๐ฅ ๐ต๐ฐ ๐ข ๐ด๐ช๐ญ๐ฆ๐ฏ๐ต ๐จ๐ญ๐ฆ๐ข๐ฎ. Napolitan rests: swirls of strawberry cream bleeding into vanilla reveries and dark chocolate confessions.
This room? Painted in more than pigment. Itโs stained with pauses. And not just a day, but an artifact. Itโs edged with intentionality: six zines folded like origami prayers slipped through mailslots of blade hearts; @VerseOfArtists, @TheHefflins, @CasaDeDiaz, @Cherrilane, @the18reasons, @TheDelaire, @MontgoIfier, @tikelune. aimed not at eyes but ribs. The slow burn: afterglow as methodology. They will return to this date again. Not because they must. But because something ๐ฉ๐ฆ๐ณ๐ฆ refuses extinction.
๐๐ฐ๐ป๐ช๐ญ๐บ ๐ฎ๐ถ๐ณ๐ฎ๐ถ๐ณ๐ฆ๐ฅ,
๐๐บ ๐๐ข๐ช๐ฏ๐ต๐ซ๐ฆ, @TheCaintje ๐
(๐๐ข๐ฏ๐ฅ-๐ด๐ช๐จ๐ฏ๐ฆ๐ฅ ๐ช๐ฏ ๐ช๐ฏ๐ฌ ๐ต๐ฉ๐ข๐ต ๐ฅ๐ณ๐ช๐ฆ๐ด ๐ด๐ญ๐ฐ๐ธ.)
Solitaire motes hang in the slant of (March 1st). Caught between the breath of porch curtains and the quiet decay of yesterdayโs date on the wall calendar. Time doesnโt pass here; it settles. ๐๐ข๐ฏ๐ฅ๐ฆ๐ฅ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ต๐ข๐ฃ๐ญ๐ฆโ๐ฐ๐ฉ, ๐ต๐ฉ๐ข๐ต ๐ต๐ข๐ฃ๐ญ๐ฆ, ๐ช๐ต๐ด ๐จ๐ณ๐ข๐ช๐ฏ ๐ฃ๐ถ๐ง๐ง๐ฆ๐ฅ ๐ต๐ฐ ๐ข ๐ด๐ช๐ญ๐ฆ๐ฏ๐ต ๐จ๐ญ๐ฆ๐ข๐ฎ. Napolitan rests: swirls of strawberry cream bleeding into vanilla reveries and dark chocolate confessions.
This room? Painted in more than pigment. Itโs stained with pauses. And not just a day, but an artifact. Itโs edged with intentionality: six zines folded like origami prayers slipped through mailslots of blade hearts; @VerseOfArtists, @TheHefflins, @CasaDeDiaz, @Cherrilane, @the18reasons, @TheDelaire, @MontgoIfier, @tikelune. aimed not at eyes but ribs. The slow burn: afterglow as methodology. They will return to this date again. Not because they must. But because something ๐ฉ๐ฆ๐ณ๐ฆ refuses extinction.
๐๐ฐ๐ป๐ช๐ญ๐บ ๐ฎ๐ถ๐ณ๐ฎ๐ถ๐ณ๐ฆ๐ฅ,
๐๐บ ๐๐ข๐ช๐ฏ๐ต๐ซ๐ฆ, @TheCaintje ๐
(๐๐ข๐ฏ๐ฅ-๐ด๐ช๐จ๐ฏ๐ฆ๐ฅ ๐ช๐ฏ ๐ช๐ฏ๐ฌ ๐ต๐ฉ๐ข๐ต ๐ฅ๐ณ๐ช๐ฆ๐ด ๐ด๐ญ๐ฐ๐ธ.)
ใ
ค
ใ๐๐.๐๐.๐๐๐๐ใ Kahyana Caintje, child of dawn in this hushed dwelling, greetings upon your jubilee. You have unfolded like a cornfield after struggle: gradual, firm, beautifully unyielding. The walls echo with remnants of your passage; the porch, a phantom of your merriment. Even the dust motes dancing in the window seem sweetened today, as if the very house exhales a sigh of relief for your sake.
We kindle this flame not to banish shadows, but to celebrate the luminosity you already possess. May the coming year prove a gentle escort, bearing warmth rather than burden. May it regard you as tenderly as this family has always wished the world mightโwith solace, with sanctuary, with a lingering affection.
From this aged Nebraska abode, weathered but unwavering, we murmur once more: โBLESSED BIRTHDAY, KAHYANA CAINTJE.โ Love resides within you in every chamber, in every season, in every hushed recess of this home.
ใ ค
ใ๐๐.๐๐.๐๐๐๐ใ Kahyana Caintje, child of dawn in this hushed dwelling, greetings upon your jubilee. You have unfolded like a cornfield after struggle: gradual, firm, beautifully unyielding. The walls echo with remnants of your passage; the porch, a phantom of your merriment. Even the dust motes dancing in the window seem sweetened today, as if the very house exhales a sigh of relief for your sake.
We kindle this flame not to banish shadows, but to celebrate the luminosity you already possess. May the coming year prove a gentle escort, bearing warmth rather than burden. May it regard you as tenderly as this family has always wished the world mightโwith solace, with sanctuary, with a lingering affection.
From this aged Nebraska abode, weathered but unwavering, we murmur once more: โBLESSED BIRTHDAY, KAHYANA CAINTJE.โ Love resides within you in every chamber, in every season, in every hushed recess of this home.
ใ ค
1โค3๐ฅฐ3โคโ๐ฅ2
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๐น โฆ / THE DRAWERS, HEAVY WITH ROTE, SEAL THEMSELVES SHUT.
Solitaire motes hang in the slant of March 2nd. Caught between the breath of porch curtains and the quiet decay of yesterdayโs date on the wall calendar. Time doesnโt pass here; it settles. ๐๐ข๐ฏ๐ฅ๐ฆ๐ฅ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ต๐ข๐ฃ๐ญ๐ฆโ๐ฐ๐ฉ, ๐ต๐ฉ๐ข๐ต ๐ต๐ข๐ฃ๐ญ๐ฆ, ๐ช๐ต๐ด ๐จ๐ณ๐ข๐ช๐ฏ ๐ฃ๐ถ๐ง๐ง๐ฆ๐ฅ ๐ต๐ฐ ๐ข ๐ด๐ช๐ญ๐ฆ๐ฏ๐ต ๐จ๐ญ๐ฆ๐ข๐ฎ. Napolitan tray rests: swirls of strawberry cream bleeding into vanilla reveries and dark chocolate confessions.
This room? Painted in more than pigment. Itโs stained with pauses. And not just a day, but an artifact. Itโs edged with intentionality: six zines folded like origami prayers slipped through mailslots of blade hearts; @SoigneSolace, aimed not at eyes but ribs. The slow burn: afterglow as methodology. They will return to this date again. Not because they must. But because something ๐ฉ๐ฆ๐ณ๐ฆ refuses extinction. It pulses still โฆ in subtext, in margins, in ink that smudges like pine.
๐๐ฐ๐ป๐ช๐ญ๐บ ๐ฎ๐ถ๐ณ๐ฎ๐ถ๐ณ๐ฆ๐ฅ,
๐๐บ ๐๐ข๐ช๐ฏ๐ต๐ซ๐ฆ, @TheCaintje ๐
(๐๐ข๐ฏ๐ฅ-๐ด๐ช๐จ๐ฏ๐ฆ๐ฅ ๐ช๐ฏ ๐ช๐ฏ๐ฌ ๐ต๐ฉ๐ข๐ต ๐ฅ๐ณ๐ช๐ฆ๐ด ๐ด๐ญ๐ฐ๐ธ.)
Solitaire motes hang in the slant of March 2nd. Caught between the breath of porch curtains and the quiet decay of yesterdayโs date on the wall calendar. Time doesnโt pass here; it settles. ๐๐ข๐ฏ๐ฅ๐ฆ๐ฅ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ต๐ข๐ฃ๐ญ๐ฆโ๐ฐ๐ฉ, ๐ต๐ฉ๐ข๐ต ๐ต๐ข๐ฃ๐ญ๐ฆ, ๐ช๐ต๐ด ๐จ๐ณ๐ข๐ช๐ฏ ๐ฃ๐ถ๐ง๐ง๐ฆ๐ฅ ๐ต๐ฐ ๐ข ๐ด๐ช๐ญ๐ฆ๐ฏ๐ต ๐จ๐ญ๐ฆ๐ข๐ฎ. Napolitan tray rests: swirls of strawberry cream bleeding into vanilla reveries and dark chocolate confessions.
This room? Painted in more than pigment. Itโs stained with pauses. And not just a day, but an artifact. Itโs edged with intentionality: six zines folded like origami prayers slipped through mailslots of blade hearts; @SoigneSolace, aimed not at eyes but ribs. The slow burn: afterglow as methodology. They will return to this date again. Not because they must. But because something ๐ฉ๐ฆ๐ณ๐ฆ refuses extinction. It pulses still โฆ in subtext, in margins, in ink that smudges like pine.
๐๐ฐ๐ป๐ช๐ญ๐บ ๐ฎ๐ถ๐ณ๐ฎ๐ถ๐ณ๐ฆ๐ฅ,
๐๐บ ๐๐ข๐ช๐ฏ๐ต๐ซ๐ฆ, @TheCaintje ๐
(๐๐ข๐ฏ๐ฅ-๐ด๐ช๐จ๐ฏ๐ฆ๐ฅ ๐ช๐ฏ ๐ช๐ฏ๐ฌ ๐ต๐ฉ๐ข๐ต ๐ฅ๐ณ๐ช๐ฆ๐ด ๐ด๐ญ๐ฐ๐ธ.)
โค1