House of Caintje.
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ใ…ค
โ€œ๐˜ˆ๐˜ฏ๐˜จ๐˜ฆ๐˜ญ๐˜ด, how does one ascertain that @Caintje embodies a terrestrial paradise? It does not outwardly present as such.โ€ Good heavens, that their ruination shanโ€™t jeopardise their bond.

ใ…ค๏น™ @CaintjeBot ๐–ฌบ @.HOLD ๏นš
ใ…ค
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โค1
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๐Ÿน  โ€ฆ  /  THE DRAWERS, HEAVY WITH ROTE, SEAL THEMSELVES SHUT.

Solitaire motes hang in the slant of February 5th. Caught between the breath of porch curtains and the quiet decay of yesterdayโ€™s date on the wall calendar. Time doesnโ€™t pass here; it settles. ๐˜“๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ฆโ€”๐˜ฐ๐˜ฉ, ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ฆ, ๐˜ช๐˜ต๐˜ด ๐˜จ๐˜ณ๐˜ข๐˜ช๐˜ฏ ๐˜ฃ๐˜ถ๐˜ง๐˜ง๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ข ๐˜ด๐˜ช๐˜ญ๐˜ฆ๐˜ฏ๐˜ต ๐˜จ๐˜ญ๐˜ฆ๐˜ข๐˜ฎ. Napolitan tray rests: swirls of strawberry cream bleeding into vanilla reveries and dark chocolate confessions.

This room? Painted in more than pigment. Itโ€™s stained with pauses. And not just a day, but an artifact. Itโ€™s edged with intentionality: six zines folded like origami prayers slipped through mailslots of blade hearts; @TheLysmere & @HearthOfWheils, aimed not at eyes but ribs. The slow burn: afterglow as methodology. They will return to this date again. Not because they must. But because something ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ refuses extinction. It pulses still ... in subtext, in margins, in ink that smudges like pine.

๐˜Š๐˜ฐ๐˜ป๐˜ช๐˜ญ๐˜บ ๐˜ฎ๐˜ถ๐˜ณ๐˜ฎ๐˜ถ๐˜ณ๐˜ฆ๐˜ฅ,
๐˜‰๐˜บ ๐˜Š๐˜ข๐˜ช๐˜ฏ๐˜ต๐˜ซ๐˜ฆ, @TheCaintje ๐˜
(๐˜๐˜ข๐˜ฏ๐˜ฅ-๐˜ด๐˜ช๐˜จ๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ช๐˜ฏ๐˜ฌ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ฅ๐˜ณ๐˜ช๐˜ฆ๐˜ด ๐˜ด๐˜ญ๐˜ฐ๐˜ธ.)
โค1
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Forwarded from #CLOVERNoDo. ๐Ÿ›œ
ใ…คใ…คใ…คใ…ค

๐‚๐Ž๐๐‚๐‘๐„๐“๐„-๐‡๐Ž๐๐„๐ƒ ๐ƒ๐ˆ๐’๐‚๐ˆ๐๐‹๐ˆ๐๐„.
โ€œFabric becomes doctrine beneath
dim streetlight and passing hoursโ€

โ–€โ–„ โ–€โ–„โ–€โ–„ โ–€โ–€โ–„ โ–€โ–„โ–€โ–„ โ–€โ–€โ–„ โ–€โ–„โ–€โ–„ โ–€

Beneath sodium-lit firmaments and the
hush of midnight avenues, street-born
regalia stands as scripture carved in
cotton and thread.

๐Ÿ›— โžœ (WEAR-WITHOUT-BOAST.)
Threads inherit grit, not trends.

This attire speaks not through volume,
but through restraint sharpened by grit,
where elegance is not inherited, but
earned through friction with the world.

ใ…คใ…คใ…คใ…ค
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Suddenly feeling throwback to the early 2000s, I wasn't even born yet. But here I go, with an old jumper and poses screaming y2k :P
1โค11๐ŸŽ‰5๐Ÿ•Š3๐Ÿ˜1๐Ÿฆ„1
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๐Ÿน  โ€ฆ  /  THE DRAWERS, HEAVY WITH ROTE, SEAL THEMSELVES SHUT.

Solitaire motes hang in the slant of February 7th. Caught between the breath of porch curtains and the quiet decay of yesterdayโ€™s date on the wall calendar. Time doesnโ€™t pass here; it settles. ๐˜“๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ฆโ€”๐˜ฐ๐˜ฉ, ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ฆ, ๐˜ช๐˜ต๐˜ด ๐˜จ๐˜ณ๐˜ข๐˜ช๐˜ฏ ๐˜ฃ๐˜ถ๐˜ง๐˜ง๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ข ๐˜ด๐˜ช๐˜ญ๐˜ฆ๐˜ฏ๐˜ต ๐˜จ๐˜ญ๐˜ฆ๐˜ข๐˜ฎ. Napolitan tray rests: swirls of strawberry cream bleeding into vanilla reveries and dark chocolate confessions.

This room? Painted in more than pigment. Itโ€™s stained with pauses. And not just a day, but an artifact. Itโ€™s edged with intentionality: six zines folded like origami prayers slipped through mailslots of blade hearts; @TheVelthrone, @FlameOfIgnarev, @ReissHousehold aimed not at eyes but ribs. The slow burn: afterglow as methodology. They will return to this date again. Not because they must. But because something ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ refuses extinction.

๐˜Š๐˜ฐ๐˜ป๐˜ช๐˜ญ๐˜บ ๐˜ฎ๐˜ถ๐˜ณ๐˜ฎ๐˜ถ๐˜ณ๐˜ฆ๐˜ฅ,
๐˜‰๐˜บ ๐˜Š๐˜ข๐˜ช๐˜ฏ๐˜ต๐˜ซ๐˜ฆ, @TheCaintje ๐˜
(๐˜๐˜ข๐˜ฏ๐˜ฅ-๐˜ด๐˜ช๐˜จ๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ช๐˜ฏ๐˜ฌ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ฅ๐˜ณ๐˜ช๐˜ฆ๐˜ด ๐˜ด๐˜ญ๐˜ฐ๐˜ธ.)
โค1๐Ÿ•Š1
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๐Ÿน  โ€ฆ  /  THE DRAWERS, HEAVY WITH ROTE, SEAL THEMSELVES SHUT.

Solitaire motes hang in the slant of February 8th. Caught between the breath of porch curtains and the quiet decay of yesterdayโ€™s date on the wall calendar. Time doesnโ€™t pass here; it settles. ๐˜“๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ฆโ€”๐˜ฐ๐˜ฉ, ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ฆ, ๐˜ช๐˜ต๐˜ด ๐˜จ๐˜ณ๐˜ข๐˜ช๐˜ฏ ๐˜ฃ๐˜ถ๐˜ง๐˜ง๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ข ๐˜ด๐˜ช๐˜ญ๐˜ฆ๐˜ฏ๐˜ต ๐˜จ๐˜ญ๐˜ฆ๐˜ข๐˜ฎ. Napolitan tray rests: swirls of strawberry cream bleeding into vanilla reveries and dark chocolate confessions.

This room? Painted in more than pigment. Itโ€™s stained with pauses. And not just a day, but an artifact. Itโ€™s edged with intentionality: six zines folded like origami prayers slipped through mailslots of blade hearts; @IsleOfHalesworth, @Hjerts, @ManorOfGrevane. aimed not at eyes but ribs. The slow burn: afterglow as methodology. They will return to this date again. Not because they must. But because something ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ refuses extinction. It pulses still ... in ink that smudges like pine.

๐˜Š๐˜ฐ๐˜ป๐˜ช๐˜ญ๐˜บ ๐˜ฎ๐˜ถ๐˜ณ๐˜ฎ๐˜ถ๐˜ณ๐˜ฆ๐˜ฅ,
๐˜‰๐˜บ ๐˜Š๐˜ข๐˜ช๐˜ฏ๐˜ต๐˜ซ๐˜ฆ, @TheCaintje ๐˜
(๐˜๐˜ข๐˜ฏ๐˜ฅ-๐˜ด๐˜ช๐˜จ๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ช๐˜ฏ๐˜ฌ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ฅ๐˜ณ๐˜ช๐˜ฆ๐˜ด ๐˜ด๐˜ญ๐˜ฐ๐˜ธ.)
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