Bloodline Morsevic: The Cursed Castle.
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ㅤㅤㅤ  ⌱ 𝑹𝑬𝑷𝑳𝑰𝑪𝑨𝑵𝑻 𝑪𝒀𝑪𝑳𝑬.
ㅤㅤ
No maps. No natives. The buildings move slightly when unobserved.

Cameras return black void—then static noise fills the eerie silent.
@Morsevic @MorsevicRobot
@MorsevicsBot (Mutual Purpose)

ㅤㅤㅤㅤㅤㅤㅤㅤㅤ𝑬𝑵𝑫.
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𖤓 A whisperer once said, “Your fear may devour you. But it may also be the sharpest weapon you’ll ever hold.” That was before the forest fog took them, slow and silent, swallowed whole by a darkness no voice ever returned from. It happened as the sun fell behind the hills, as the wind turned sharp and brittle, as the storm painted the sky black, and the old clock groaned a single, thunderous tick when its hand struck seven. Would you let your fear feast on you, or would you wield it, and step into the dark armed with its teeth?
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ᝰ.ᐟ The sun peeked just above the crown of the old clock, casting a pale light onto the number twelve. Even at the hour of midday, the village remained smothered in that suffocating, unnatural silence. The voices may not echo now, but absence is not safety, they are listening. Remember what the old fairytales warned, “What you cannot see does not mean it isn’t there.” Shadows don’t need to speak to exist. Would you stay hidden within the quiet breath of the house, or step outside and face whatever already sinking its roots beneath?
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⚘    ׅ   Crows murmured low above, and long howls, origin unknown, threaded through the dark sky, stitching themselves into the silence. Footsteps, small and unsteady, sank into soil soaked through with rot, the scent of spoiled fruit clinging to the air. “You are walking toward your own end,” some had whispered, as the rusted gates of the old halls groaned open, unbidden, welcoming yet another soul bold or broken enough to tempt fate. The sun had vanished entirely, leaving only ember crackle and shadow. The clock’s hand pointed downward, six. And may whatever soul stepped through those doors, be lucky enough to crawl back out from what waits within.
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                  🗡️  CHAPTER 1: The Plague, Darkness and Silence.
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Osnora, a centuries-old village rooted in deep cultural and spiritual belief, was once thought to be a sanctuary crafted by the ‘Mother’—a güardian angel its people revered. But when the plague arrived, devouring bodies one by one, no divine hand reached OUT to save them. What remained was a dying village shrouded in ghostly silence, where survivors barely clung to life like echoes of the dead. A question lingered, staying within the air of silence. What truly turned Osnora into such sudden ruin?
              
              
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The cursed land warned with every crow's cry and every brittle breath of wind, urging outsiders not to step foot where so many had already fallen. No soul who entered ever returned, as if the soil itself demanded more blood in exchange for silence. The skies darkəned, the scent of rot grew thick, and time seemed to fracture around the village’s pain. Faint whispers moved through doors left ajar and windows that no longer blinked, watching over a celebration long erased. The plague may have struck first, but something older, more ravenous, had been waiting.
              
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The ground, pulsing as if it is breathing throughout the heavy air, still whispers with the names it devoured. Will you follow where the dead have tread?
Anonymous Poll
82%
I offer my name to the soil, my story to the dark. Whatever waits beneath, let it find me willing.
18%
I leave the path untouched, for not all echoes must be followed. And not all doors deserve to open.
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                  🪶 CHAPTER 2: Shattered Glass, Hidden Whispers or Inked Lies.
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No sound echoes louder than the steps inside those empty halls, where time moves slower, heavier, as if the air itself is holding its breath. The walls listen, the mirrors don’t reflect the living, and even untouched corridors creak like they’re remembering something. Layers of důst blur the truth behind glass, and stepping through the doorway feels like interrupting something ancient, maybe even alive.
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Those who call themselves 'Investigators' walk these paths and never return quite the same—if they return at all. Their skin seems to carry questions, their eyes emptied by whatever they’ve seen. Whispers have replaced voices, and the clock only takes more with every tick.

         “It’s not the darkness that gets to you. It’s the way the light bends around things it doesn’t want you to see.”

They keep searching, through ink-stained newsletters, through fragile paper and buried clues, desperate to quiet the madness clawing at their minds. So what exactly breathes beneath all that dust and silence? Something too shattered to survive, or too dangerous to let the words fall?
         
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He doesn't chase leads. He chases the truth no matter how long it's been buried. While others gave up on the cursed maps and unsolved cases, he kept digging. His badge is worn, barely readable. His evidence bags filled with stories no one wants to remember. He listens to fingerprints. To bloodstains that were never cleaned. He's not here to investigate, he's here to finish what death started. They call him, The Grimtrace.
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People don't see the red strings that map pain across cities. They don't see what he sees. They don’t see how evil doesn't die, it just sleeps in different names. His desk is never clean. It's covered in case files that were declared impossible, and yet, every one of them has his handwriting between the margins. Question lingers as he asked himself on why the evidence prioritize him first. Him, Jorch Riccardo Morsevic.

“I always find the end. Whether it’s buried, burned, or wearing someone else’s face.”
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Interrogation rooms become his stage, mirroring lies so perfectly that the liar loses track of what they said at the first place. The tools he keeps are older than the cases he takes. A recorder worn smooth from hours of playback, a thicker folder as the day passes faster than light. He can taste a lie before one could speak it, track it backward like a spider tracing silk. They call him, The Lieweaver.
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A single fountain pen whose ink runs only when the truth begins to surface. He writes his own structures, no protocols, stacking one contradiction over another until the entire case starts to collapse inward from the weight of its own fiction. The floor and light creaks louder. There is no guesswork in his process. Everything is placed so neat with the purpose of making the lie think it's safe just long enough to reveal itself completely. Him, Mitch Dexter Morsevic.

“Every lie shapes like the messy ties. I have learned how to untangle them easily.”
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