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The city hums beneath me, restless and golden, as I light one up and let the smoke curl like secrets into the night. Neon flickers on wet pavement, taxis blur past like memories I never meant to keep. Thereโs a softness to the chaos โ lipstick smudged, eyes half-closed, heart half-healed. Itโs just me, the skyline, and a cigarette burning slow, like something dangerous I donโt want to quit.
โ โ โ โ โ โ โ โ โ โ
The city hums beneath me, restless and golden, as I light one up and let the smoke curl like secrets into the night. Neon flickers on wet pavement, taxis blur past like memories I never meant to keep. Thereโs a softness to the chaos โ lipstick smudged, eyes half-closed, heart half-healed. Itโs just me, the skyline, and a cigarette burning slow, like something dangerous I donโt want to quit.
โ โ โ โ โ โ โ โ โ โ
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โ โ โ โ โ โ โ โ โ โ
Slipped into the night like a promise, where wine met candlelight and the air felt charged with something unspoken. Dinner with the Marfil y รbano team wasnโt just a gathering โ it was a quiet celebration of whatโs to come. I wonโt say what weโre toasting to... not yet. Some stories are best simmering in the dark a little longer.
โ โ โ โ โ โ โ โ โ โ
Slipped into the night like a promise, where wine met candlelight and the air felt charged with something unspoken. Dinner with the Marfil y รbano team wasnโt just a gathering โ it was a quiet celebration of whatโs to come. I wonโt say what weโre toasting to... not yet. Some stories are best simmering in the dark a little longer.
โ โ โ โ โ โ โ โ โ โ
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โ โ โ โ โ โ โ โ โ โ
Tonight, Jean Paul Gaultier hosted a private Pride celebration at Club Bohemia โ an intimate dinner with The Center that spilled effortlessly into a night of dancing, mezcal, and unfiltered joy. Between the glow of Jason Naylorโs art and the pulse of Eva Voss and Rae Sadaโs sets, the room felt like a living love letter to individuality. It was bold, beautiful, and wildly unapologetic. I walked out wrapped in the energy of it all โ and with the Jean Paul Gaultier x Bratz piece in hand, because icons recognize icons. Always have, always will. I have loved Bratz since forever.
โ โ โ โ โ โ โ โ โ โ
Tonight, Jean Paul Gaultier hosted a private Pride celebration at Club Bohemia โ an intimate dinner with The Center that spilled effortlessly into a night of dancing, mezcal, and unfiltered joy. Between the glow of Jason Naylorโs art and the pulse of Eva Voss and Rae Sadaโs sets, the room felt like a living love letter to individuality. It was bold, beautiful, and wildly unapologetic. I walked out wrapped in the energy of it all โ and with the Jean Paul Gaultier x Bratz piece in hand, because icons recognize icons. Always have, always will. I have loved Bratz since forever.
โ โ โ โ โ โ โ โ โ โ
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โ โ โ โ โ โ โ โ โ โ
Caught between takes in the middle of NYC chaos โ a little coffee to fight the sleep, a lot of energy from the crowd to keep us going. Filming Marfil y รbano with Hugo feels like stepping into a story that never stops moving, even when the cameras do. Times Square turned into our set, and somehow, it still felt just like a dream.
โ โ โ โ โ โ โ โ โ โ
Caught between takes in the middle of NYC chaos โ a little coffee to fight the sleep, a lot of energy from the crowd to keep us going. Filming Marfil y รbano with Hugo feels like stepping into a story that never stops moving, even when the cameras do. Times Square turned into our set, and somehow, it still felt just like a dream.
โ โ โ โ โ โ โ โ โ โ
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โ โ โ โ โ โ โ โ โ โ
Afternoon light spilled across the sidewalk, and for a moment, the city moved to my rhythm. I danced without thinking โ not to perform, just to feel something real against the static of New York. In my hand, ToDa Mi VioLeNciA eS tUyA โ open, dog-eared, heavy in all the right places. Carolina Yuste doesnโt just write, she bruises gently. I reading between each step, between each breath. The world didnโt slow down, but I did โ just enough to let it sink in.
โ โ โ โ โ โ โ โ โ โ
Afternoon light spilled across the sidewalk, and for a moment, the city moved to my rhythm. I danced without thinking โ not to perform, just to feel something real against the static of New York. In my hand, ToDa Mi VioLeNciA eS tUyA โ open, dog-eared, heavy in all the right places. Carolina Yuste doesnโt just write, she bruises gently. I reading between each step, between each breath. The world didnโt slow down, but I did โ just enough to let it sink in.
โ โ โ โ โ โ โ โ โ โ